Frida Mälarborn Hoshino works in stoneware using the Japanese nerikomi technique, where colored clay is built up, sliced, and joined to create complex, vibrant patterns. It is a process that demands time, precision, and presence—every step is visible, and every decision remains embedded in the material.
Her work exists somewhere between sculpture and painting. The surfaces pulse with color, almost optical in nature, while the forms carry a sense of weight and tranquility. In her artistry, an 18th-century-influenced Swedish design language meets Japanese craft tradition—something historical and something deeply contemporary in the very same movement.